Assignment:
Natalie Davis, Fiction in the Archives

Part 2

The Self as Image: Art and Photography

Victoria Best, "Mastering the Image: Photography and the Elusive Gaze," in French Cultural Studies 8,2 (1997), pp. 173ff.

Catherine Creswell, "Giving a Face to an Author: Reading Donne's Portraits and the 1635 Edition," Texas Studies in Literature and Language 37,1 (1995), pp. iff.

James Guimond, "Auteurs as Autobiographers," in Modern Fiction Studies 40,3 (1994), pp. 573ff.

Susanna Egan, "Encounters in Camera: Autobiography as Interaction," in Modern Fiction Studies 40,3 (1994), pp. 593ff.

Allan Stoekl, "Cartier-Bresson: Between Autobiography and Image," in Modern Fiction Studies 40, 3 (1994), pp. 631ff.

Gabriel Weisberg, "Painting as Autobiography: Cezanne's Early Work," Arts Magazine 63,9 (1989), pp. 54ff.

Marilyn Motz, "Visual Autobiography: Photograph Albums of Turnof-the-century Midwestern Women," in American Quarterly 41,1 (1989) 63ff.

Mariella Melara, "Photographics/Autobiographics: Felix Nadar and the Face of Resemblance, French Cultural Studies 8,2 (1997), pp. 183ff.

Ross Leckie, "Art, Mimesis and John Ashberry's "Self Portrait in a Convex Mirror'," in Essays on Literature 19,1 (1992), pp. 114ff.

Terry Sullivan, "Multiple Personalities: Self-Portraits in Series by Four Masters," in American Artist 61, 662 (1997), pp. 30ff.

Irmgard Wirth, ed., Berlingr Maler: ... Selbstzeugnisse (Berlin, 1964). SRLF AOOO 126 069 4

There is a catalogue of an exhibition on "madness and art": Kunst und Wahn, ed. Ingried Bruger, Peter Gorsen and Klaus Albrecht Schr6der, which may be in the library. If not, I have a copy. Look at the chapter on "Edmund Kalb: Welt im Ich--1000 Selbstbildnisse," by Rudolf Sagmeister, pp. 301ff.

Kunsthaus Bregenz und Stadt Dornbirn, eds, Edmund Kalb 1900-1952 (Dornbirn Bregenz, 1994)

Klaus Albrecht Schr6der, 11Zur Typologie des Selbstportraits in Wien zwischen 1900 und 1918,11 in Sabine Schulze, ed., Sehnsucht nach Gldck. Wiens Aufbruch in die Moderne: Klimt, Kokoschka, Schiele (Stuttgart, 1995). Note that Schiele altogether is interesting.

Danielle Knafo, Egon Schiele: A Self in creation: Psychoanalytic Study of the Artist's Self-Portraits (Rutherford, 1993). Arts *N6811.5 S34 K63 1993

Denis Roche, ed., Autoportraits photographiques: 1858-1981. Breve rencontre (Paris, 1981) Arts *TR680 A88 1981

Pascal Bonafoux, Portraits of the Artist: The Self-Portrait in Painting (NY, 1985) Arts *ND 1300 B613 1985

Irene Heppner, Bibliography on Portraiture, 2 vols. (Boston, 1989, 1990) Arts ND1300 H47 1990

Joyce Tenneson Cohen, ed., In/Sights: Self-Portraits by Women Arts TR681 W6 155 1978, also SRLF A001 069 1640

James Alinder, ed., The Photographer's Image: Self-Portrayal (Carmel, 1978) Arts *TR680 P48

Joseph Leo Koerner, Self-Portraiture and the Crisis of Interpretation in German Renaissance Art (1988) Arts ND1317.2 K64 S45 1988a

Diether Schmidt, Ich war, ich bin, ich werde sein!: Selbstbildnisse deutscher Kdnstler des 20. Jahrhunderts (Berlin, 1968) Arts *ND1317 S53

Das Selbstportrait im Zeitalter der Photographie (Bern, 1985) Arts *N7618 A8 1985b

Edward Lucie-Smith and Sean Kelly, The Self-Portrait; A Modern View (London, 1987) Arts *ND1314.6 S45 1987

Frank Whitford, Expressionist Portraits (NY, 1987) Arts *ND1317.6 W5 1987